Mirrored Series 2009-12

This series explores the translation of object to image and vice versa through works referencing historical works of art, particularly from the high Renaissance and Baroque.  Critic Rebecca Geldard noted the work’s baroque sensibilities in the ‘curiously time-based energy, the tandem sense of growth and decomposition implying movement – the shudder  in and out of technological fast-forward and rewind.’

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